Examples of Audio Plugin Designs. Enquire for yours!

The following are examples of possible audio plugin dsp design implementations, shown here in stereo. The Enhanced range represents designs with mid range capabilities, which also means an increased number of parameters. All plugins can be designed to include any number of parameters and processes. They can be designed as mono only audio plugins, stereo or both.

Enhanced Tier: Specs

Category 

Type

Parameters    

Utility Plugins (Enhanced) Stereo

Channel Strip 

20

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Crafted to professional standards, this plugin offers a comprehensive set of essential mixing tools in a streamlined interface, bringing high-quality control over dynamics, EQ, and signal positioning. Designed for versatility and efficiency, it allows for nuanced shaping and refinement of audio, making it ideal for both foundational adjustments and detailed tonal enhancements. Built for all users, this plugin delivers precise, flexible adjustments with a user-friendly layout for seamless workflow. It includes the following parameters:

Volume: Controls the overall output level of the signal, allowing for adjustments in dB to balance the track within the mix. 

Pan: Adjusts the stereo position of the track, moving the signal between left and right to create spatial positioning. 

Low-Pass Filter: Removes high-frequency content above a set point (in Hz), helping to reduce harshness or excessive brightness in the signal. 

High-Pass Filter: Cuts low-frequency content below a set point (in Hz), eliminating rumble or unwanted low-end noise. 

Mid/Bell Filter: Controls the gain, frequency, and bandwidth (Q-factor) of the midrange frequencies, allowing for precise tonal adjustments in the midrange. 

Compressor Threshold: Sets the level (in dB) at which compression starts, controlling the point where the signal begins to be compressed. 

Compressor Ratio: Determines the amount of compression applied once the threshold is exceeded, expressed as a ratio (e.g. 2:1). 

Output Gain: Adjusts the level of the processed signal, compensating for any volume changes introduced by the filters or compressor. 

Category 

Type

Parameters    

EQ Plugins (Enhanced) Stereo

Tilt 

4

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This plugin offers high-quality tonal shaping using a tilt EQ approach, built for swift and effective adjustments to frequency balance. Designed to professional standards, this Tilt EQ provides a powerful, streamlined way to shape audio tone by quickly brightening or darkening the sound with precise control. Ideal for users seeking efficient tonal shifts without the complexity of multi-band EQs, it delivers robust functionality within an intuitive control interface. It includes the following parameters:

Tilt Center Frequency: Sets the pivot frequency (in Hz) around which the spectral tilt occurs. Frequencies above this point are either boosted or attenuated, while frequencies below it are adjusted in the opposite direction, allowing for quick and effective tonal balance adjustments. 

Gain / Tilt Amount: Controls the amount of Tilt applied – effectively setting how much the high and low frequencies are boosted or cut. Positive values boost highs and cut lows; negative values boost lows and cut highs. The higher the value, the steeper the tilt across the spectrum. 

Category 

Type

Parameters    

EQ Plugins (Enhanced) Stereo

Parametric 3 Bands 

18

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This plugin offers a comprehensive and flexible approach to frequency shaping with three fully adjustable bell filters, each featuring independent controls for frequency, gain, and Q-factor. It is designed for precise tonal adjustment across the spectrum, making it ideal for fine-tuning individual elements in a mix. It includes the following parameters:

Low Band Frequency: Sets the center frequency (in Hz) for the low band, allowing the user to target specific low-end frequencies for boosting or cutting. 

Low Band Gain: Adjusts the amount of boost or cut (in dB) applied to the selected low band frequency.

Low Band Q-Factor: Controls the width of the low band, determining how broad or narrow the frequency adjustment is. 

 

Mid Band Frequency: Sets the center frequency (in Hz) for the mid band, allowing users to shape the tone of the midrange frequencies.

Mid Band Gain: Adjusts the amount of boost or cut (in dB) applied to the selected mid band frequency.

Mid Band Q-Factor: Controls the width of the mid band, providing flexibility for precise midrange adjustments.

 

High Band Frequency: Sets the center frequency (in Hz) for the high band, targeting specific high-end frequencies for enhancement or reduction.

High Band Gain: Adjusts the amount of boost or cut (in dB) applied to the selected high band frequency.

High Band Q-Factor: Controls the width of the high band, allowing for broad or narrow adjustments in the high frequencies. 

Category 

Type

Parameters    

EQ Plugins (Enhanced) Stereo

Parametric 5 Bands 

30

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This plugin offers a comprehensive and flexible approach to frequency shaping with five fully adjustable bell filters, each featuring independent controls for frequency, gain, and Q-factor. It allows for detailed and precise tonal adjustment across the entire frequency spectrum, making it ideal for sculpting and fine-tuning individual tracks or elements in a mix. It includes the following parameters:

Low Band Frequency: Sets the center frequency (in Hz) for the low band, allowing the user to target specific low-end frequencies for boosting or cutting. 

Low Band Gain: Adjusts the amount of boost or cut (in dB) applied to the selected low band frequency.

Low Band Q-Factor: Controls the width of the low band, determining how broad or narrow the frequency adjustment is. 

 

Low-Mid Band Frequency: Sets the center frequency (in Hz) for the low-mid band, enabling adjustments in the lower midrange area. 

Low-Mid Band Gain: Adjusts the boost or cut (in dB) for the selected low-mid frequency. Low-Mid Band Q-Factor: Determines the width of the low-mid band, providing flexibility for targeting a broader or narrower range. 

Low-Mid Band Q-Factor: Determines the width of the low-mid band, providing flexibility for targeting a broader or narrower range. 

 

Mid Band Frequency: Sets the center frequency (in Hz) for the mid band, allowing users to shape the tone of the midrange frequencies.

Mid Band Gain: Adjusts the amount of boost or cut (in dB) applied to the selected mid band frequency.

Mid Band Q-Factor: Controls the width of the mid band, providing flexibility for precise midrange adjustments. 

 

High-Mid Band Frequency: Sets the center frequency (in Hz) for the high-mid band, focusing on the upper midrange frequencies. 

High-Mid Band Gain: Adjusts the boost or cut (in dB) for the high-mid band frequency. 

High-Mid Band Q-Factor: Adjusts the width of the high-mid band, allowing fine tuning of its influence over the signal. 

 

High Band Frequency: Sets the center frequency (in Hz) for the high band, targeting specific high-end frequencies for enhancement or reduction. 

High Band Gain: Adjusts the amount of boost or cut (in dB) applied to the selected high band frequency.

High Band Q-Factor: Controls the width of the high band, enabling adjustments over broad or narrow high-frequency ranges. 

Category 

Type

Parameters    

EQ Plugins (Enhanced) Stereo

Graphic 10 Bands, 1 octave 

20

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This plugin offers versatile tone shaping across ten frequency bands, each spread an octave apart, with independent gain control for each band. Designed for effective tonal balance or corrective adjustments, it provides flexible options to boost or attenuate specific ranges within the audio spectrum. It includes the following parameters:

 

Band 1 Gain:  Adjusts the boost or cut (in dB) for the lowest band, typically centred around 31 Hz.

Band 2 Gain:  Adjusts the boost or cut (in dB) for the second band, typically centred around 62 Hz.

Band 3 Gain:  Adjusts the boost or cut (in dB) for the third band, typically centred around 125 Hz.

Band 4 Gain:  Adjusts the boost or cut (in dB) for the fourth band, typically centred around 250 Hz.

Band 5 Gain:  Adjusts the boost or cut (in dB) for the fifth band, typically centred around 500 Hz.

Band 6 Gain:  Adjusts the boost or cut (in dB) for the sixth band, typically centred around 1 kHz.

Band 7 Gain:  Adjusts the boost or cut (in dB) for the seventh band, typically centred around 2 kHz.

Band 8 Gain:  Adjusts the boost or cut (in dB) for the eighth band, typically centred around 4 kHz.

Band 9 Gain:  Adjusts the boost or cut (in dB) for the ninth band, typically centred around 8 kHz.

Band 10 Gain:  Adjusts the boost or cut (in dB) for the tenth band, typically centred around 16 kHz.

Category 

Type

Parameters    

EQ Plugins (Enhanced) Stereo

Graphic 15 Bands, 1/2 octave 

20 

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This plugin offers precise tonal control over an extensive frequency  range with fifteen independently adjustable bands, each spaced at half-octave intervals. Built for accuracy, it enables detailed tonal adjustments suited to both corrective and creative uses, offering more control compared to a 10-band EQ while maintaining ease of use for all skill levels. It includes the following parameters:

Band 1 Gain:  Adjusts the boost or cut (in dB) for the first band, typically centred around 25 Hz.

Band 2 Gain:  Adjusts the boost or cut (in dB) for the second band, typically centred around 40 Hz.

Band 3 Gain:  Adjusts the boost or cut (in dB) for the third band, typically centred around 63 Hz.

Band 4 Gain:  Adjusts the boost or cut (in dB) for the fourth band, typically centred around 100 Hz.

Band 5 Gain:  Adjusts the boost or cut (in dB) for the fifth band, typically centred around 160 Hz.

Band 6 Gain:  Adjusts the boost or cut (in dB) for the sixth band, typically centred around 250 Hz.

Band 7 Gain:  Adjusts the boost or cut (in dB) for the seventh band, typically centred around 400 Hz.

Band 8 Gain:  Adjusts the boost or cut (in dB) for the eighth band, typically centred around 630 Hz.

Band 9 Gain:  Adjusts the boost or cut (in dB) for the ninth band, typically centred around 1 kHz.

Band 10 Gain:  Adjusts the boost or cut (in dB) for the tenth band, typically centred around 1.6 kHz.

Band 11 Gain:  Adjusts the boost or cut (in dB) for the eleventh band, typically centred around 2.5 kHz.

Band 12 Gain:  Adjusts the boost or cut (in dB) for the twelfth band, typically centred around 4 kHz.

Band 13 Gain:  Adjusts the boost or cut (in dB) for the thirteenth band, typically centred around 6.3 kHz.

Band 14 Gain:  Adjusts the boost or cut (in dB) for the fourteenth band, typically centred around 10 kHz.

Band 15 Gain:  Adjusts the boost or cut (in dB) for the fifteenth band, typically centred around 16 kHz.

Category 

Type

Parameters    

Filter Plugins (Enhanced) Stereo

Multi-Mode switchable Flt 

6 

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This plugin provides versatile filtering options by allowing the user to switch between multiple filter types with a single control. With adjustable cutoff frequency, resonance, and mix, it offers flexibility for refined tonal adjustments, allowing users to tailor the frequency response for sound shaping and focused mix adjustments. It includes the following parameters:

Filter Type Selector: Allows switching between different filter modes such as low-pass, high-pass, band-pass, and notch. This enables the user to choose the type of filter applied to the signal for different tonal shaping effects. 

Cutoff Frequency: Sets the point (in Hz) where the selected filter begins to affect the signal. For low-pass and high-pass modes, this determines where frequencies are attenuated. For band-pass and notch modes, it sets the center frequency. 

Resonance (Q): Increases the emphasis at the cutoff frequency. In low-pass and high-pass modes, this creates a peak at the cutoff point, boosting frequencies around that area before they are attenuated. In band-pass mode, it narrows the bandwidth, focusing the effect on a specific frequency range. 

Mix (Dry/Wet): Balances the processed (wet) and unprocessed (dry) signals, allowing the user to blend the filtered signal with the original audio for subtle or pronounced effects.

Category 

Type

Parameters    

Filter Plugins (Enhanced) Stereo

Dual Cut Flt 

8 

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This plugin offers precise control over the frequency spectrum by independently setting the low and high cut points, allowing for both broad and narrow band-pass filtering. The resonance control enhances tonal character at the cutoff frequencies, making the plugin versatile for both subtle EQ adjustments and more pronounced sound design effects. It includes the following parameters:

Low Cut Frequency: Sets the point (in Hz) where the high-pass filter begins attenuating frequencies below this value, removing low-end content such as rumble or sub-bass frequencies. 

High Cut Frequency: Sets the point (in Hz) where the low-pass filter starts attenuating frequencies above this value, controlling high-end content and reducing harshness or hiss. 

Resonance (Q): Adds emphasis at each cutoff point. Increases the peak at the low and high cut frequencies, enhancing the character of the filtered sound. This parameter can shape the sound further, adding subtle tonal effects or creating sharper, more pronounced peaks. 

Mix (Dry/Wet): Adjusts the blend between the unfiltered (dry) and filtered (wet) signal, enabling subtle or more pronounced filtering effects.  

Category 

Type

Parameters    

Time-Based Fx Plugins (Enhanced) 

Delay (Stereo)

6 

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This plugin offers flexible control over stereo delay effects, with independent left and right delay times to create wide or offset stereo echoes. The feedback and mix parameters allow users to control the intensity and blend of the effect, making it suitable for anything from subtle rhythmic enhancements to expansive, ambient echoes in a mix. It includes the following parameters:

Left Delay Time: Sets the delay duration for the left channel (typically in milliseconds). This allows for independent control of the delay effect on the left side of the stereo field, creating spatial depth and movement. 

Right Delay Time: Sets the delay duration for the right channel (typically in milliseconds). By adjusting this separately from the left delay time, users can create wide stereo effects, such as ping-pong delay or offset echoes. 

Feedback: Controls the amount of delayed signal fed back into the delay line, affecting the number of repeats. Higher values create more pronounced echoes, while lower values produce a subtle effect. 

Mix (Dry/Wet): Adjusts the balance between the unprocessed (dry) signal and the delayed (wet) signal. This allows users to blend the delay effect with the original audio to achieve the desired intensity and clarity.

Category 

Type

Parameters    

Time-Based Fx Plugins (Enhanced) 

Reverb (Stereo)

10

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This high-quality reverb plugin enriches spatial dimensions and introduces natural ambience to audio tracks. These reverb controls provide an effective way to shape the sense of space and depth in a mix, making it valuable for adding realistic or creative spatial effects as needed. It includes the following parameters:

 

Room Size: Controls the perceived size of the simulated space, ranging from small rooms to large halls. This parameter shapes the overall character and length of the reverb tail. 

Damping: Adjusts the amount of high-frequency absorption in the reverb tail. Higher damping values result in a darker, warmer reverb by reducing the brightness of the effect. 

Wet Level: Sets the volume of the reverb-processed (wet) signal in the mix, allowing users to control the prominence of the reverb effect relative to the dry signal. 

Dry Level: Maintains the level of the original (dry) signal, ensuring that the clarity of the unprocessed audio is preserved while blending in the reverb effect.

Width: Adjusts the stereo spread of the reverb, from mono (narrow) to full stereo (wide), creating a sense of space and depth in the mix.

Category 

Type

Parameters    

Dynamics Plugins (Enhanced) 

Compressor (Stereo)

10

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Engineered for professional-grade dynamic control, this compressor plugin reduces the audio signals dynamic range by attenuating peaks that exceed a set threshold.  It is essential for maintaining precise dynamics, balancing volume inconsistencies, adding punch, and achieving a polished, cohesive mix. It includes the following parameters:

 

Threshold: Sets the level above which compression is applied.

Ratio: Defines the amount of gain reduction applied when the signal exceeds the threshold

Attack:  Controls how quickly the compressor responds when the signal exceeds the threshold.

Release: Determines how quickly the compressor returns to normal once the signal falls below the threshold.

Makeup Gain: For compensating gain reduction.

Enquiry Form
Either select the plugin type via this form and send for quote, or if you have an idea for an audio plugin already that you need development for, you can get in touch using this contact form, by providing a quick summary of the idea, e.g. an audio plugin that can do...etc. Once your enquiry is received, we can discuss the outline of the idea and a quote can be provided.
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